As part of the international celebrations this year and next year, in honor of Beethoven, the Schiller Institute is happy to inaugurate a new feature on our website. We will regularly post selections of Beethoven’s music with short discussions of the pieces.
Opus 22 “Grande Sonata”Notes by Margaret Scialdone Although somewhat overlooked today, the Opus 22 “Grande Sonata” was a great favorite of Beethoven’s. He assured his publisher that “Die Sonate hat sich gewaschen” (literally, ‘the Sonata has washed itself’, or, ‘it…
Beethoven Opus 119 Bagatelles Notes by Margaret Scialdone The Opus 119 Bagatelles appeared in London in 1823 as “Trifles for the Piano Forte, Consisting of Eleven pleasing Pieces Composed in Various Styles by L. Van Beethoven”. They are quite accessible…
Beethoven’s Final Sonata Opus 111 Notes by Margaret Scialdone After completing his 32nd and final piano sonata, Beethoven is said to have made the astonishing remark that the piano is “after all, an unsatisfactory instrument”. This work does indeed strain…
Beethoven’s “Der Erlkönig” Notes by Margaret Scialdone Goethe’s poem “Der Erlkönig” tells the story of a boy riding home on horseback in his father’s arms. He is frightened when he hears the seductive voice of the Erl King, a powerful…
Beethoven’s humor—“The Test of Kisses” Notes by Fred Haight This song, “Prüfung des Küssens, WoO 89” (The Test of Kissing), was composed between 1790–1791, for Bonn’s Electoral singer, Joseph Lux. It is for a bass and orchestra. The author of…
Beethoven : Creatures of Prometheus Notes by Margaret Scialdone In 1801 the ballet master Salvatore Viganó was commanded to prepare a performance for Empress Maria Theresa. He chose the subject of Prometheus giving science and the arts to Mankind, and…
When Beethoven Becomes Hilarious! Notes by Fred Haight We have had several episodes on Beethoven’s sense of humor. Today, we cross over into utter hilarity. Beethoven composed folk songs in many languages, including English, Italian, Danish, and Russian. The first…
Goethe and Beethoven: “Getting Along with Girls” Notes by Fred Haight The Classics are often associated with imagery of stuffy-old-white-male who have nothing relatable for the contemporary youth generation. We beg to differ. Goethe’s Mit Mädeln sich Vertragen (Getting Along…
Beethoven’s Sense of Humor Part 2: “To beat, or not to beat.” Notes By Fred Haight In part 1 of Beethoven’s humor, we wrote about “Rage of a Lost Penny”. Today, we talk about the humor in Beethoven’s 8th symphony.…
Beethoven and Tragedy: The Coriolan Overture Notes By Fred Haight We have already talked about Beethoven’s sense of the heroic; and the power and optimism expressed in his Third Symphony, his only opera Fidelio, and the Egmont Overture. However, an…